Americans for the Arts

Priscilla Hopkins-Smith is the Programs and Communications manager for Arts Ed NJ (previously the New Jersey Arts Education Partnership), the unifying organization and central resource for arts education information, policy, and advocacy in New Jersey. Hopkins-Smith is also the Director of the NJ Governor’s Awards in Arts Education, which is the highest honor that can be received in arts education in New Jersey. With over 15 years of experience in nonprofit communications and administration, Hopkins-Smith’s expertise lies in social media, events, outreach, and community engagement. As programs and communications manager, she works to propel arts education initiatives forward through the #ArtsEdNow campaign, strategic plans, programming, and collaboration.

Located in Camden, New Jersey, Camden FireWorks is a Black-led, community-based arts organization that works to grow, gather, and invest in artists and artists-to-be in the Camden community. Executive Director Asiyah Kurtz is an applied anthropologist with 20 years of experience in leadership of private, nonprofit, and public sectors. “As a young arts organization, we had previously only relied on volunteers to teach our open studio workshops for our first five years of operations. With the support of our Board, one of the changes I made this year was to pay a meaningful wage to teaching artists for their time, labor, and talent. If I have anything to do with it, there will be no starving artists in Camden.” 

Bernadette Carroll joined Act One as their executive director in March 2020, just as arts organizations across the country shuttered due to COVID-19. She hit the ground running and worked on a new strategic plan with board and staff to address the needs of schools and arts organizations during the pandemic, its impact on the future of Act One, and on the communities served by the organization. Adapting to the changes of remote work, Carroll and her team launched Act One’s new virtual reality field trip program for students.

Breaking down barriers for our audiences to engage with our organization should be a top priority as we navigate today’s ever-changing landscape. Our new and existing audiences will thank us with continuous support, which helps us thrive as arts organizations. 

The Native Arts and Cultures Foundation (NACF) is the only national philanthropic organization focused exclusively on Native arts and cultures with a deep commitment to supporting Native artists in a spirit of advancing equity and cultural knowledge for American Indian, Native Hawaiian, and Alaska Native communities. NACF is especially active in supporting artists responding to economic justice and environment issues. Its SHIFT – Transformative Change and Indigenous Arts program gives artists opportunities to work with communities to examine complex issues from a Native perspective, while LIFT – Early Career Support for Native Artists encourages artists to develop projects that advance positive social change at the community level. And through Mentor Artist Fellowships, emphasis is put on opportunities for contemporary Native artists working both in traditional and contemporary practice to deepen their connections to the artistic traditions and heritages of their tribal communities.

ASSEMBLY for CHINATOWN was launched in collaboration with A+A+A Studio to build outdoor dining spaces at no cost to Chinatown businesses. We design, source materials from Chinatown vendors, and construct Department of Transportation (DOT) compliant dining barriers for restaurants. Artists beautify and personalize the space for the restaurants with the help of volunteers who come (socially distanced) together in a help-a-thon to sand and paint the wood barriers. The mural project came into play with our first artist, Kat Lam, who reached out to ask if we wanted her to paint one of the barriers. Her style matched with the business owners, so we moved forward. She contributed her vision as a muralist and we decided to do that for all the barricades to enliven the space and the neighborhood. People want to be part of this community project. Painting is such a gratifying way to work together. Whenever the volunteers walk by, they feel ownership and want to patronize the business.