Americans for the Arts

The Diversity in Arts Leadership program once again returns to a virtual setting with a brand-new set of interns from all over the country fueled by their passions and interest in arts administration and cultural equity. For 28 years, Americans for the Arts has been hosting the DIAL internship program as an investment in a more equitable arts management field. This ARTSblog series features the DIAL cohorts in New York City, New Jersey, and Nashville in four parts; profiled here are interns from the Nashville cohort. Get to know Mikayla Gary, Maya Brown, Grace Kim, and Paula Wilson.

The Diversity in Arts Leadership program once again returns to a virtual setting with a brand-new set of interns from all over the country fueled by their passions and interest in arts administration and cultural equity. For 28 years, Americans for the Arts has been hosting the DIAL internship program as an investment in a more equitable arts management field. This ARTSblog series features the DIAL cohorts in New York City, New Jersey, and Nashville in four parts; profiled here are interns from the New Jersey cohort. Get to know Mikayla Bush, Randy Campo, Malcolm Davis, Mimi Laws, Maya Mangum, Camryn Morrow, Nelly Sanchez, and Emily Springer.

As the Art in Public Places Program Manager for the City of Austin, Texas, Sue Lambe is responsible for the existing public art collection of over 300 pieces and for the active permanent and temporary art projects underway throughout Austin. Established by the City in 1985, the Art in Public Places (AIPP) program collaborates with local and national artists to include the history and values of the Austin community into cultural landmarks that have become cornerstones of the city’s identity. “Viewing public art that is available 24/7/365 as a museum without walls in shared civic spaces has been an amazing resource for exploration, exercise, dialogue, and connection. The opportunity to visit an artwork and share the visit on social media to create conversation despite the requirements of COVID isolation has great value.”

The Diversity in Arts Leadership program once again returns to a virtual setting with a brand-new set of interns from all over the country fueled by their passions and interest in arts administration and cultural equity. For 28 years, Americans for the Arts has been hosting the DIAL internship program as an investment in a more equitable arts management field. This ARTSblog series will feature the DIAL cohorts in New York City, New Jersey, and Nashville in four parts; profiled here are six of the NYC interns. Get to know Fabia St-Juste, Jennifer Villa, Leon Caleb Christian, Rafael, Sarah Cecilia Bukowski, and Vivian Gonzalez.

The Diversity in Arts Leadership program once again returns to a virtual setting with a brand-new set of interns from all over the country fueled by their passions and interest in arts administration and cultural equity. For 28 years, Americans for the Arts has been hosting the DIAL internship program as an investment in a more equitable arts management field. This ARTSblog series will feature the DIAL cohorts in New York City, New Jersey, and Nashville in four parts; profiled here are six of the NYC interns. Get to know Alex Gomes, Aurimar Báez Collazo, Austin Kim, Brian Le, Kaleb Stevens, and Harrison Clark.

The Native Arts and Cultures Foundation (NACF) is the only national philanthropic organization focused exclusively on Native arts and cultures with a deep commitment to supporting Native artists in a spirit of advancing equity and cultural knowledge for American Indian, Native Hawaiian, and Alaska Native communities. NACF is especially active in supporting artists responding to economic justice and environment issues. Its SHIFT – Transformative Change and Indigenous Arts program gives artists opportunities to work with communities to examine complex issues from a Native perspective, while LIFT – Early Career Support for Native Artists encourages artists to develop projects that advance positive social change at the community level. And through Mentor Artist Fellowships, emphasis is put on opportunities for contemporary Native artists working both in traditional and contemporary practice to deepen their connections to the artistic traditions and heritages of their tribal communities.