SEARCH RESULTS FOR 8173 ITEMS FOUND

Author(s): Americans for the Arts
Date of Publication: May 2018

Author(s): Chicago Department of Cultural Affairs and Special Events
Date of Publication: 2017

The Chicago Public Art Plan has been authored by the Chicago Department of Cultural Affairs and Special Events (DCASE). DCASE is dedicated to enriching Chicago’s artistic vitality and cultural vibrancy. This includes fostering the development of  Chicago’s nonprofit arts sector, independent working artists, and for-profit arts businesses; providing a framework to guide the city’s future cultural and economic growth, via the Chicago Cultural Plan 2012; marketing the city’s cultural assets to a worldwide audience; and presenting high-quality, free, and affordable

Author(s): University of San Francisco
Date of Publication: 2017

Crowdfunding is defined by Forbes as “the practice of funding a project or venture by raising many small amounts of money from a large number of people, typically via the Internet.” And it’s rapidly become the new “it” way to fund projects of various scope. The University of San Francisco developed this infographic to oultine different platforms and ways in which communities are supporting and funding public projects.

Author(s): Arca Foundadtion
Date of Publication: May 15, 2019

The Arca Foundation evaluates how applicants provide leadership opportunities for historically disadvantaged or under-represented groups within their organizations. To help make that assessment, please submit a Leadership Diversity Table using the format below. If you need additional guidance on completing the table, please contact Stacie Posey.
 

Author(s): University of Michigan School of Social Work Curtis Center Program Evaluation Group (CC-PEG)
Date of Publication: February 2014

Author(s): Aufderheide, Patricia; Jaszi, Peter; Bello, Bryan; Milosevic, Tijana
Date of Publication: February 2014

In the fall of 2012, motivated by concerns about how the actual and perceived limitations of copyright can inhibit the creation and publication of new work in visual arts communities, particularly in the digital era, the College Art Association commenced a four-phase project to develop and disseminate a Code of Best Practices for Fair Use in the Creation and Curation of Artworks and Scholarly Publishing in the Visual Arts. Supported by generous preliminary funding from the Samuel H. Kress Foundation and a major grant from the Andrew W. Mellon Foundation, CAA engaged Patricia Aufderheide and

Author(s): City of Saint Paul Public Art
Date of Publication: June 2014

Saint Paul’s Public Art Ordinance arose from the aspiration and vision of civic leaders, artists and the community for a creative city at the headwaters of the Mississippi River. It arose from decades of exploration and observation as the City planned its future, as its population diversified, and as the practice of public art evolved. The Ordinance emerged in 2009 as a powerful tool that places artists at the core of civic action in shaping the form and experience of the city. The Guidelines and the supplemental Public Art Ideas List (PAIL) were first introduced by the City in

Author(s): City of Saint Paul Public Art
Date of Publication: June 2014

The Technical Manual is a critical resource that integrates the Public Art Ordinance Program into city-wide procedures and promotes contemporary best practices from the field of public art. The Manual is a companion to the Public Art Ordinance Program Guidelines. They are supplemented by the Public Art Ideas List (PAIL) that illustrates examples. The purpose of these documents is to sustain an innovative public art and design program that is distinguished by its high quality, as called for in the public ordinance (Chapter 12, Public Art. Sec. 12.01.).

Author(s): Americans for the Arts
Date of Publication: August 2018

Author(s): Palmer, Joni M.
Date of Publication: October 2018

Community interest in public art has continued to grow throughout the country. Urban areas and metropolitan regions are unique because public art programs have existed in these communities for decades. But what are some of the challenges and opportunities to having public art in large communities, and what does adapting to change look like? This essay explores the current understandings the planning and implementation of public art in urban areas. 

Pages