Isaac Fitzsimons

Announcing New Blog Series Highlighting the Impact of COVID-19 on Intentionally Marginalized Artists

Posted by Isaac Fitzsimons, Jan 19, 2021


Isaac Fitzsimons

2020 reinforced just how much we depend on data and storytelling to drive conversation, make decisions, and take action. Throughout 2020, Americans for the Arts collected data and stories from over 20,000 artists and creative workers across the country whose personal and professional lives were upended by the coronavirus pandemic. What we've found has been sobering, such as 95 percent have experienced a loss of income and over 60 percent are unemployed. Though the crisis rages on, it is important to reflect on how artists and creative workers fared in 2020, and especially emphasize the experiences of those who are and have been intentionally marginalized. Over the next few months, I will share research highlights in a blog series called The Impact of COVID-19 on Intentionally Marginalized Artists and Creative Workers. 

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Ms. Ann Marie Watson

The 10 most read ARTSblog posts of 2020

Posted by Ms. Ann Marie Watson, Jan 13, 2021


Ms. Ann Marie Watson

“How do you measure … measure a year?” I won’t even try to measure the sum total of the dumpster fire that was 2020. But looking back on one of the most difficult years of our lifetime through the readers of ARTSblog paints an illuminating—if not entirely unexpected—picture. In a year when social media was often loud and angry (though also entertaining—if only our blog could skateboard to Fleetwood Mac while drinking cranberry juice!), ARTSblog remained a steadfast space for our members and the arts & culture sector to learn from each other, share our struggles and successes, and most of all stay connected in an unbelievably isolating time. The year’s most read blogs reflect how 2020 shaped the field’s fears and furies, but also our hopes and optimism for the present and future of the arts.

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Meccah M. Martin

Envisioning My Future Self: Reflections from a Future Leader of Color

Posted by Meccah M. Martin, Dec 11, 2020


Meccah M. Martin

When I look into the future, my vision is a little blurry. The year 2020 caused me to reflect in a way I never have before. In a year of uncertainty, the last thing I would like to be is unsure of my path. My wariness mirrors my feelings towards the arts and culture field, which is my career focus. The arts are struggling as performance venues, museums, dance centers, and so many other large and small arts organizations closed their doors due to COVID. Not only do the arts have to navigate the current state of the world, but there is another issue that plagues the field, namely racial inequity. Along with the pandemic, the ongoing conversation of race and the treatment and lack of representation of African Americans in the arts and entertainment sectors came to the forefront. Unfortunately, the demand for equality is still prominent, after years and years of constant toil. As much as I put my chosen career path on a pedestal, the arts struggle with this issue as well, making it harder for Black people to excel to higher positions or step foot in the door at all. You would think that a field that relies so much on diversity, and champions itself on representing different ideals and backgrounds, would have more representation. The sad truth is that the arts are far behind in the race for equality, equity, and inclusion.

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Abigail Alpern Fisch

Member Spotlight: Andressa Furletti

Posted by Abigail Alpern Fisch, Dec 07, 2020


Abigail Alpern Fisch

Originally from Brazil, Andressa Furletti is a multidisciplinary artist based in New York. She is the co-founder and artistic director of Group Dot BR, New York’s only Brazilian theater company. Group Dot BR's mission is to present Brazilian culture through the performing arts. It serves enthusiasts of multicultural arts, contemporary, physical, and avant-garde theater. Group Dot BR's productions always incorporate the Portuguese language (with English subtitles when present), offering audiences the opportunity to connect with the sound and musicality of the Brazilian language. In the wake of COVID-19, Group Dot BR initiated the NY Brazilian Artists Fund to support immigrant artists from the Brazilian community in New York facing financial hardship because of the pandemic. 

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Juyoun Han

Black Art Matters: Does Federal Law Protect and Preserve Protest Street Art?

Posted by Juyoun Han, Dec 04, 2020


Juyoun Han

According to The New York Times, Black Lives Matter (BLM) protests may have been the largest movement in U.S. history—and the most vigilant of these protests remain on the walls, corners, and surfaces of streets that we walk by every day. In cities across the country, artists banded together to use their creativity as a powerful visual advocacy against racial injustice. Unfortunately, these murals are short-lived, either because they are immediately tagged or destroyed by dissenters who blithely deny America’s problem of racism. Artists who had transformed boarded-up businesses into powerful BLM art witnessed their art getting thrown out by storeowners. Such defacement of protest art is unfortunately a recurring violation. Now, here’s the good news: the Visual Artists Rights Act of 1990 (“VARA Law”) may be the key to protecting and preserving these artworks. Here are eight important issues about VARA Law for artists.

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A Note to Our Stakeholders About Racial and Cultural Equity

Thursday, December 3, 2020

Americans for the Arts logo

Americans for the Arts’ staff, board, members and councils are united by a common purpose: To build recognition and support for the extraordinary and dynamic value of the arts and to lead, serve, and advance the diverse networks of organizations and individuals who cultivate the arts in America. We, as an organization, have taken multi-year steps towards making racial and cultural equity the guiding principle in everything we do. Those steps have not been enough. We need to do more – to increase our efforts and communicate those efforts to our stakeholders more effectively. 


Dr. Heather Shirey

Art and Social Justice: A Digital Archive of Street Art & Protest

Posted by Dr. Heather Shirey, Dec 03, 2020


Dr. Heather Shirey

Artworks created in the streets are by nature ephemeral and have the ability to capture raw and immediate individual and community responses; the meaning of these pieces is negotiated and shifts over time. The Urban Art Mapping research team, an interdisciplinary group of faculty and students based at the University of St. Thomas in Saint Paul, Minnesota, began working in early June to collect digital documentation of street art that emerged in the aftermath of George Floyd’s murder, ranging from monumental murals to small stickers and including commissioned art as well as unsanctioned pieces. We have seen that the art made in response to this act of injustice is an expression of the anger, frustration, and pain felt in communities across this country and around the world that needs to be preserved. Beyond serving as a repository for this art, the database was created as a resource for students, activists, scholars, and artists by way of metadata, including a description of key themes, geolocations, and dates of documentation. We are actively seeking contributions to the database through crowdsourcing in order to capture the global scale of this powerful call for change. 

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Weekly Web Roundup: Nov. 16-20, 2020

Friday, November 20, 2020

As we head into the Thanksgiving holiday we reflect on the urgent work of 2020, both in our own offices and at programs across the country, as the arts and culture field works to support and solve challenges related to the COVID pandemic, racial equity, and more. Wishing you a safe, happy, and creative season!


Ms. Donna Walker-Kuhne

How the Arts Can Help Combat Bias and Injustice

Posted by Ms. Donna Walker-Kuhne, Nov 02, 2020


Ms. Donna Walker-Kuhne

Since the tragic killing of George Floyd earlier this year, there have been scores of news reports about the hundreds of millions of dollars pledged and/or donated to organizations committed to fighting for racial justice, equity, diversity and inclusion, or to address unconscious bias. I believe a portion of this money should be shared with arts organizations to help facilitate and foster the social changes necessary for transforming this era of racial injustice into an era of recognition and respect for the dignity of all people. Why give money to the arts? Throughout every pandemic—and racial injustice is indeed an epic pandemic—the arts continue to define, shape, and sustain the narrative of the general population. Artists are natural innovators who can provide insight and help us consider solutions to the challenges we are confronting. Their work stimulates collective imagination; stirs our sense of possibility and has been shown to inspire us to action.

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Weekly Web Roundup: Oct. 26-30, 2020

Friday, October 30, 2020

Election Day is nearly here, and early voting is happening all over the country! Do you still need to make a plan to vote? Check out the Arts Action Fund ArtsVote campaign for state-by-state fact sheets that will help ensure your voice is heard at the polls! While you're waiting in line to vote, catch up here on blogs and news you might have missed this week, plus check out the upcoming virtual National Arts Marketing Project Conference—registration is open now.


Nikki Kirk


Ami Scherson

Reflecting on Virtual Internships During COVID-19

Posted by Nikki Kirk, Ami Scherson, Oct 28, 2020


Nikki Kirk


Ami Scherson

The 28th year of Americans for the Arts’ Diversity in Arts Leadership (DIAL) summer internship program was forced to shift gears due to the COVID-19 pandemic. Earlier this year we shared a blog post, “Re-envisioning Internships During COVID-19,” which provides a baseline understanding of where we started in our discussions and decision to continue the DIAL 2020 summer intern program during the pandemic. We discussed our plans and strategies of how we converted our program rooted in in-person, cohort-based work and activities, to an all virtual experience. As so many internship programs have been eliminated or transitioned during this time, we wanted to share the outcome of our re-envisioned virtual DIAL internship program: the challenges we faced, the successes we saw, and what we’ve learned. Though our virtual programming was different in many ways, one thing that did not change was its impact. All our interns stated that continuing the program through the global pandemic had a lasting impact on them. 

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Abigail Alpern Fisch

Member Spotlight: Katrina M. Daniels

Posted by Abigail Alpern Fisch, Oct 26, 2020


Abigail Alpern Fisch

Katrina Daniels is the Exhibition and Gallery Sales Director at the Lansing Art Gallery and Education Center, which provides public awareness, education, and enjoyment of the visual arts by promoting the works of Michigan artists. Katrina coordinates exhibitions and public art programming working directly with artists to increase engagment between them and the Lansing community. Katrina is a co-founder of ARTpath, a program developed by the Gallery and the City of Lansing to bring artwork out of the traditional gallery setting and into the public realm. ARTpath offers more accessible opportunities for the community to engage with the work of Michigan artists. Our Member Profile series features the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more. An Americans for the Arts Membership connects you with this network of more than 6,000 arts leaders and gives you access to latest professional development and research.

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Abigail Alpern Fisch

Arts Leaders and Americans for the Arts Members Getting Out the Vote

Posted by Abigail Alpern Fisch, Oct 22, 2020


Abigail Alpern Fisch

As the 2020 election gets closer and many voters are already voting by mail or in-person, arts organizations around the country are doing their part to help voters make their vote count. This election is crucial to electing leaders at each level of government who will ensure that funding for the arts is protected and accessible for all. In this month’s Member Briefing, Americans for the Arts members Sheila Smith, executive director of Minnesota Citizens for the Arts, and Nate McGaha, executive director of Arts North Carolina, discussed using the arts to Get Out the Vote. They shared their experiences conducting voter outreach in their communities including their candidate forums, messaging about important voting deadlines, and partnership with other local, and national organizations including ArtsVote. If you missed the briefing live, a recording of the event is available now on ArtsU. Member Briefings are our quarterly opportunity to talk to you about what’s happening now, so mark your calendars to stay up-to-date on what’s happening at Americans for the Arts and across the sector. 

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Masary Studios

Protest Projections

Posted by Masary Studios, Oct 19, 2020


Masary Studios

The decision to stand up and speak out on the injustices in our society does not always come as a choice for those who are subjected to them. In some cases, protest becomes a necessary means for which progress and justice may be made. The protests that followed the death of George Floyd in May 2020 took place all across the country, including Boston, where MASARY Studios is located. On May 31, a peaceful march in memory of George Floyd turned into a large rally on the Boston Common. The cultural tension between people of color and the local police force was felt in the air as the events unfolded throughout the night. Sparked by this event, the civil unrest became headline news and a prominent point of discussion. The start of our Protest Projections in Downtown Boston began the night after the rally at the Boston Common, emerging from the same cultural energy and tensions. As creatives we are motivated by our feelings of wanting to speak up, make a difference, and be a part of or start the conversation. Using our experience in public spaces as artists doing projections, we wanted to continue to use this medium to make an impact for change. Witnessing the nationwide protests, specifically the ones in our own city, the sense of creative urgency was even more present as we thought about our response as artists but also as protestors. Motivated by our drive to take action and the fact that so much is on the line for our future, it was not hard for us to decide whether or not we should take action.

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Linda Lombardi

Member Spotlight: Kyaien Conner

Posted by Linda Lombardi, Oct 12, 2020


Linda Lombardi

Kyaien (Kya) Conner, PhD, LSW, MPH, began studying West African Dance at the age of six and became a professional West African Dancer at 14. Trained in dance forms of Djembe, Sabar, and Kutiro, she is a member of Kuumba Dancers and Drummers in Tampa, Florida; teaches West African Dance at the University of Tampa; and has taught West African dance nationally and internationally. Conner also is a tenured professor of Mental Health Law and Policy at University of South Florida, specializing in health disparities and the benefits and effects of culturally relevant psychiatric treatments and community-based intervention in older African Americans.

Our Member Profile series features the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more. An Americans for the Arts Membership connects you with this network of more than 6,000 arts leaders and gives you access to latest professional development and research. 

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Abigail Alpern Fisch

Member Spotlight: Kathy Hsieh

Posted by Abigail Alpern Fisch, Sep 28, 2020


Abigail Alpern Fisch

Kathy Hsieh is the Cultural Partnerships and Grants Manager at the Seattle Office of Arts & Culture, overseeing investments funding, and racial equity opportunities for community. Hsieh has transformed the City of Seattle’s arts funding program and helped the agency earn the Seattle Management Association’s first Race and Social Justice Management Award. Kathy shared with us her insights about how she became involved with the arts, her office's response to COVID-19 and the Black Lives Matter movement, as well as her recommendations for arts leaders looking to promote cultural and racial equity in their work. 

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Mrs. Katie Cornell

5 Tips for Implementing a Black Lives Matter Street Mural

Posted by Mrs. Katie Cornell, Sep 11, 2020


Mrs. Katie Cornell

Across the nation, communities have taken to the street to express their feelings about the Black Lives Matter movement in paint. Public art is an effective tool for local government expression because it amplifies messages of political and social importance with a clear and powerful statement. It also brings people together, creates social understanding, and aids the healing process. That’s just what it did in Asheville, N.C. After a month of planning, on Sunday, July 19, 2020, dozens of artists and volunteers came together on behalf of the City of Asheville to create a Black Lives Matter mural in the heart of downtown. Having been through this process, I have 5 tips for arts agencies looking to serve in a similar role. I also recommend reaching out to other organizations in your area, state, or region that have played a role in the installation of a street mural project for additional insights.

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Isaac Fitzsimons

Member Spotlight: Franiya Tiffany

Posted by Isaac Fitzsimons, Aug 17, 2020


Isaac Fitzsimons

Franiya Tiffany is an actress, entertainer, and innovator from Florida. At only 10 years old, she is one of Americans for the Arts’ youngest members. A musician and performer, Tiffany is launching a nonprofit, Love Your Art Project, to help reduce poverty and empower her generation. We were excited to have a conversation with her about how she got her start in the arts, her experience as a guest on NBC’s Today Show, and her perspective on how we can all make a difference in our communities. "The future is ours. Without us using our voices now we will continue to see a repeat of the unchanged problems that will keep affecting every generation, one after another. When young people use our voices and stand tall, we can fix and unite the world in ways that will bring lasting love and change." 

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Americans for the Arts Action Fund Launches ArtsVote ‘Make Your Vote Count’ Campaign and Shepard Fairey ArtsVote Image

Arts Action Fund Urges Voters to Sign Pledge to ‘Make Your Vote Count,’ Use Customized Voter Resources for Every State to Begin Now

Friday, August 14, 2020

Category: 

Americans for the Arts Action Fund today presented its ArtsVote “Make Your Vote Count” campaign and pledge with artwork designed by renowned contemporary artist and Americans for the Arts Artists Committee member Shepard Fairey, as well as customized voter fact sheets for every state and U.S. territory. The fact sheets provide the latest details and deadlines on vote-by-mail ballots, early voting, and in-person voting. These resources can be found at www.ArtsActionFund.org/ArtsVote. 


Holly M Kelly

Festival Aims to Empower Artists to Improve Their Health

Posted by Holly M Kelly, Aug 13, 2020


Holly M Kelly

The idea to exchange visual art and musical performances for healthcare was hatched in a conversation over a beer between a Kingston, NY, dentist and a painter. From that creative brainstorming session a small group of underinsured artists and providers was formed to found the first O+ (pronounced O Positive) Festival in 2010. The inaugural festival featured a parade, paste-up murals, and concerts in empty storefronts, and volunteer providers built a small pop-up clinic to care for the participating artists and musicians. Their simple idea of exchanging “the art of medicine for the medicine of art” acknowledged the value that everyone brought to their community. The festival was a way to both celebrate that and bring attention to the inequities of the American healthcare system. At the heart of the festival is the Artists’ Clinic and Greenroom. Participating artists, musicians, and volunteers receive care from volunteer nurses, doctors, bodyworkers, and mental health professionals in a clinic we install in a community hall and from dentists in their offices. An insurance navigator from The Actors Fund is on hand to provide information and guidance. The hall also houses our Greenroom, a place for participating artists, musicians, volunteers, and healers to relax over a home-cooked meal.

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Weekly Web Roundup: Aug. 3-7, 2020

Friday, August 7, 2020

We are excited this week to have launched #ArtsCreateHope, a new social media campaign designed to remind the public that the arts are essential to the fabric of our lives. We hope you will watch and share our short, uplifting video with your networks and friends, and please take to social media to share your stories of how the arts create hope for you. We could all use a little lift from each other!

Celebrate the 100th Anniversary of the 19th Amendment with #19SuffrageStories

Wednesday, August 5, 2020

Category: 

The Smithsonian, National Archives, and Library of Congress have launched a social media campaign for the month of August, #19SuffrageStories, to bring stories of suffragists and their fight for voting rights to social media. The campaign marks the centennial of the 19th Amendment and features stories of suffragettes who often have been overlooked.

Elizabeth Alexander: How Arts and Culture can Carry Us Through Pain

Poet and scholar Elizabeth Alexander discusses parenting in “The Trayvon Generation”

Tuesday, August 4, 2020

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Dr. Elizabeth Alexander is the President of the Andrew W. Mellon Foundation, the country’s largest funder of arts and culture. This year, they’re working with a grantmaking budget of $500 million, every dollar of which will go towards social justice projects. On the NBC news podcast “Into America,” host Trymaine Lee spoke with Alexander about pain, philanthropy, and poetry.

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