Deborah Fisher
Seeing Power and Possibility in Socially Engaged Art
Posted by Nov 19, 2014
Deborah Fisher
There is a productive conflict at the root of any discussion about aesthetics and social practice that I would like to focus on.
On one hand, attempting to articulate anything about the aesthetics of socially engaged art entails confronting a frustrating lack of structure. Anything can be art, and aesthetics can be so broadly defined as judgments of sentiment and taste. Who doesn’t have those, about anything and everything? We don’t quite have a formal analysis of social practice that we all agree upon—no singular framework for seeing and locating the aesthetics in a socially engaged art project.
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